Tag: motion and spatialization

this refers to the illusion of motion in the perception of sound in space often achieved electronically by the use of multiple discrete channels of sound. it also includes the acoustical perception of sound sources in motion or the static placement at multiple locations within a performance venue. the terms antiphony, surround sound, ambisonic sound, binaural, stereo, etc. are popular implementations of this phenomenon

  • Thumbnail for the post titled: SOUND: Exhibition Catalog

    SOUND: Exhibition Catalog

    In celebration of the 11th anniversary of the exhibition SOUND curated by Gustavo Matamoros, Subtropics Editions is now offering a gorgeous 42-page catalog of the exhibition, designed by Arianographix and featuring stellar photography by the late Luis Olazabal. The catalog includes descriptions of the works, a thoughtful essay by David Dunn, and is currently available in PDF digital format.

  • Thumbnail for the post titled: Youtube Variations

    Youtube Variations

    The content for this sound installation project exhibited under the title, Untitled: Social Commentary, came from contrasting performances of three works that I nicknamed YouTube Variations

  • Thumbnail for the post titled: Everglades: Applied Universal Force

    Everglades: Applied Universal Force

    part two of Four Audible Experiences of Movement of Sound in Space
    this is a 5:37 excerpt of the binaural documentation of this orchestration for 30-channels created as one of four short installations in the Audiotheque 2.0 opening sound art exhibition project on display from September 13-December 15, 2018 at Audiotheque

  • Thumbnail for the post titled: String Solo

    String Solo

    part three of Four Audible Experiences of Movement of Sound in Space
    this is a 5:39 binaural documentation of this orchestration for 8-channels created as one of four short installations in the Audiotheque 2.0 opening sound art exhibition project on display from September 13-December 15, 2018 at Audiotheque

  • Thumbnail for the post titled: Audiotheque

    Audiotheque

    Audiotheque ( 1.0 and 2.0 ) was housed inside my resident artist studio at ArtCenter South Florida ( now Oolite Arts ). Since 2012 and through 2018, it provided audiences of up to 50 people with intimate access to some of the most adventurous, unfiltered, high quality experiences of sound-based art and performance available anywhere

  • Thumbnail for the post titled: Eighty Five Audible Moments for Pauline Oliveros

    Eighty Five Audible Moments for Pauline Oliveros

    Consisting of Eighty Five audibles presented in the span of 85 seconds, this piece was created for inclusion in a surprise event celebrating Pauline Oliveros’ 85th birthday

  • Thumbnail for the post titled: Memory Studyfor Surrounded SpaceMemoryLab

    Memory Study
    for Surrounded Space
    MemoryLab

    A 15-point source sound installation created for the Memory Lab exhibition at HistoryMiami

  • Thumbnail for the post titled: Hextet for Stan Brakhage

    Hextet for Stan Brakhage

    An acousmatic performance commissioned by OMM for the event The Films of Stan Brakhage premiered in the auditorium at PAMM, May 5, 2016

  • Thumbnail for the post titled: Bats and Insects

    Bats and Insects

    A 180ft-long 16-point source sound installation using custom-built exciter-driven black tile speakers that hung from above suspended on aircraft cable. It operated 24-7, gently activating the entire length of the Performing Arts Building’s entrance hallway with the delicate sounds of insects flying away from bats, changing locations from one end to the other of the public access space, welcoming visitors into the building, guiding them to the gallery entrance and accompanying students transiting to their classrooms for the school year

  • Thumbnail for the post titled: Distant BatsAIRIE

    Distant Bats
    AIRIE

    This post is about the stereo version of the sound installation that was made available in CD format as a limited edition insert published in the 2013 winter issue of Irreversible Magazine. It informs about month-long my AIRIE residency at Everglades National Park in September of 2013, and lists selected exhibits and performances. The two-page spread in the magazine documents the AIRIE Residency program and includes an essay by David Dunn