Tag: soundscape

a natural or man made audible environment similar to a landscape

  • Orange graphic bearing the words Tilde Tilde above two geometric forms containing a white tilde and a black acute accent.

    (˜) Tilde (´) Tilde

    A portrait and spatial soundscape of Little Havana, created from voices recorded in people’s homes and the audible life of the surrounding neighborhood during a ten-month residency.

  • Dusk over water and wetlands in Everglades National Park during Gustavo Matamoros’s 2013 A.I.R.I.E. residency.

    Everglades: Applied Universal Force

    Drawn from field recordings made throughout Everglades National Park, this 30-channel work assembles overlapping habitats of wildlife, weather and environmental sound. Dedicated to Charles Recher, it gives the Everglades the FUÁ—the extra force.

  • Album cover featuring a vintage black-and-white illustration of a frog beneath the title Bow Hard at the Frog in green lettering.

    Bow Hard at the Frog |
    Corbett vs Dempster

    Information about this album by Fred Lonberg-Holm and Gustavo Matamoros released on the Corbett vs. Dempster label as well as reviews and information about its first live performance as part of the Deep Listening Festival at LAXART in West Hollywood, CA

  • Thumbnail for the post titled: Bats and Insects

    Bats and Insects

    Bat calls, mosquito flight, and the resonances of a 200-foot passage continually rearrange their relationships within a sixteen-channel sound installation created for Florida Atlantic University.

  • Purple-and-orange spectrogram showing traces of ultrasonic bat calls, with the words “distant bats | gustavo matamoros.”

    Distant Bats

    This post is about the stereo version of the sound installation that was made available in CD format as a limited edition insert published in the 2013 winter issue of Irreversible Magazine. It informs about month-long my AIRIE residency at Everglades National Park in September of 2013, and lists selected exhibits and performances. The two-page spread in the magazine documents the AIRIE Residency program and includes an essay by David Dunn