publications

Recordings, audiovisual releases, books, and catalogs, alongside lectures and conversations about the work.

  • Subtropics Vol. 1: Breath CD in an open jewel case beside overlapping transparent printed sleeves.

    Subtropics Vol. 1: Breath (2002)

    The first album of live recordings from the Subtropics Festival’s digital archives, this collection revolves around the sounds generated by breath and features performances by Robert Dick, Earle Browne, John Gibson, Needle & Sony_Mao, Thomas Buckner and Alvin Lucier, Gustavo Matamoros and Robert Gregory, and John Cage. The album was released in 2002 and was intended as a fundraiser for Subtropics Organization ( SFCA ) a nonprofit organization.

  • “Cover of Dancing in Place by Elizabeth Panzer, featuring overlapping monochrome portraits, multicolored spiral lines, and elongated title lettering.”

    Dancing In Place (1999)

    Dancing In Place is a CD album by harpist Elizabeth Panzer released in 1999 on O. O. Discs. It features her own solo works for harp, sometimes with electronics as well as works by composers such as Eleanor Hovda, Eve Beglarian, Kitty Brazelton, Richard Einhorn and Wendy M. Chambers. The album also includes my sound portrait for harp and gated tape titled Re: Elizabeth.

  • Wraparound Giant Tracks cover painting showing a winding road crossing a green landscape toward a small village, with horses and red Gothic lettering.

    Giant Tracks (1997)

    Giant Tracks is a collectively financed and produced 1997 tribute to Gentle Giant, created through an international internet fan network. Each disc closes with part of Jan Williams’s recording of Gustavo Matamoros’s In Memory of Gentle Giant.

  • Black SHIM CD cover with a large white circular form and the title SHIM in bold black lettering.

    SHIM

    The first Big Tiny Music release documents Tampa Bay experimental ensemble SHIM and includes a 1995 live performance of Gustavo Matamoros’s In Gated Memory of Gentle Giant at the Salvador Dalí Museum.

  • Abstract collage cover in black, gold, white and blue, with handwritten blue lettering, a dark blue spiral shell form, and scattered red, yellow, blue and white shapes.

    La Música en el Caribe II: Edición Sonora

    A 1996 two-CD anthology produced by the Foro de Compositores del Caribe, bringing together 33 tracks by thirteen composers. It includes Gustavo Matamoros’s Agua [y Basura] por Todas Partes, the premiere recording of Water, Garbage Everywhere.

  • Pianist Juan Francisco Sans stands beside double bassist Luis Gómez-Imbert on the cover of Con Corda.

    Con Corda

    Con Corda: Bajo el signo de lo postmoderno is a 1994 album of music for double bass and piano performed by Luis Gómez-Imbert and Juan Francisco Sans. The CD closes with Gustavo Matamoros’s Retratos: Luis Gómez-Imbert.

  • Red, black and white cover of The Aerial #5: A Journal in Sound, featuring an open mouth surrounded by concentric rings and the publication title.

    The Aerial #5: A Journal in Sound

    Catalogued in 1992 and issued on CD and cassette in April 1993, the fifth volume of Nonsequitur’s audio journal includes the complete performance of Gustavo Matamoros’s Portrait: Bob Gregory, with text and voice by Gregory.