public art / installations
Permanent and temporary sound installations and performances shaped by the acoustical character of architecture, landscapes, and public spaces.
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Flow
An eight-channel Listening Gallery installation by PUNTO in which seven instrumental parts attempt to follow a melody known only to the performer who begins it, producing a spatial texture Gustavo Matamoros and Armando Rodriguez call “Scattered Unison.”
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Sounding Through Empty Words IVCage Centennial
John Cage’s recorded phonemes raise and release a field of tones drawn from the resonances of a 160-foot public façade, then recomposed for another architecture.
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Listening Gallery
A public sound-art platform extending approximately 180 feet along the ArtCenter/South Florida façade, Listening Gallery brought changing experiments in sound into the everyday activity of Lincoln Road from 2011 through 2015.
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Stairway
A six-channel installation that transformed the mapped resonances of a museum staircase into stationary fields of sound, changing as visitors climbed or descended.
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Coincidence
Snapping shrimp in Biscayne Bay and shrimp frying in a pan meet inside an elevator bay transformed into a dense, waterlike acoustic threshold.
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Canal (2009)
An eight-channel installation extending 1,000 feet along Collins Canal, activated through a thirteen-hour performance that marked the beginning of Frozen Music.
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Small Sounds
On a Table TopSmall Sounds on a Table Top uses directional sound to create the illusion of small, invisible objects inhabiting and moving across the surface of an empty illuminated table.
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Cardinal Points
A four-channel installation by Gustavo Matamoros and Rene Barge in which Small Sounds, wildlife recordings, slowed ultrasonic material and electronic sounds inhabited the four cardinal points of the Lincoln Park Conservatory’s Fern Room.
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Small Sounds in the Workplace
Six independent sources distribute Small Sounds throughout a working orthodontic clinic, where random audible events mingle with the ordinary sounds of the workplace.
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Two Chambers Divided by an Opening
Two autonomous sound environments occupied adjoining gallery chambers, becoming a continuously changing third environment where their resonant tones met through the opening between them.